Cotton Tenants: Three Families By James Agee

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Cotton Tenants: Three Families
 By James Agee

Cotton Tenants: Three Families By James Agee


Cotton Tenants: Three Families
 By James Agee


PDF Download Cotton Tenants: Three Families By James Agee

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Cotton Tenants: Three Families
 By James Agee

  • Sales Rank: #209197 in Books
  • Brand: Brand: Melville House
  • Published on: 2013-05-29
  • Released on: 2013-05-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.82" h x .64" w x 5.78" l, .81 pounds
  • Binding: Hardcover
  • 224 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Starred Review. Seven decades have passed since Agee (A Death in the Family) and Evans were commissioned by Fortune magazine to "report on working conditions of poor white farmers in the deep south." The report itself was never published, and the manuscript stayed forgotten until as late as 2003, when it was exhumed from Agee's Greenwich Village home by one of his daughters. It is a time capsule: open it and you are transported to "a brief account of what happens to human life," specifically the lives of three impoverished tenant farmers—Floyd Burroughs, Bud Fields, and Frank Tingle—and their families, captured in Agee's honest, unflinching, and brilliant prose. Readers familiar with Agee's Let Us Now Praise Famous Men will relish what is more than "source material", and recognize, for example, many of Agee's description of the diet, shelter, and labor of an Alabama tenant family. To readers unfamiliar, this will be an unexpected pleasure. It is the minute detail of the work that brings Depression-era Alabama to life, including the colloquialisms, (Miss Mary's calling the babies "coons"), medicinal remedies (swampwillow bark for chills, cottonseed poultices for head pains, rattlesnake grease for rheumatism), and the leisure time "of people who work." Photos. (June)

From Booklist
This book is Agee’s 1936 submission to Fortune magazine for an assignment on sharecroppers in the Deep South. Rejected and unpublished, the typescript was rediscovered in 2003 by Agee’s daughter in her deceased father’s Greenwich Village home. Cotton Tenants will enter the American literary canon for different reasons than Agee’s far more developed classic on the same subject, Let Us Now Praise Famous Men (1941). Here, Agee’s discerning eye, crushing bluntness, and forward-falling prose poetry urge along before dunking readers’ senses, again and again, into the families’ way of life. Disdainful of sentiment and melodrama, Agee shows no bias, revealing his subjects and skewering both oppressors and supposed reformers. History, sociology, and economics instructors will like this compact book’s quick, thorough engagement, and writing teachers can deservedly ask students, “What is it? Journalism, sermon, inadvertent economy of language, manifesto?” Yes, this nugget of . . . whatever—with an incisive preface by Adam Haslett—is meant for use. Like Let Us Now Praise Famous Men, it contains photos by the prestigious Evans. --Dane Carr

From Bookforum
This is not merely an early, partial draft of Famous Men, in other words, not just a different book; it's a different Agee, an unknown Agee. Its excellence should enhance his reputation. This new book is most properly classed as a lost classic of that '30s-era documentary renaissance, of which Evans was a part, and Zora Neale Hurston and Alan and Elizabeth Lomax and the WPA. --John Jeremiah Sullivan

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